"Alone?" "For anything, apparently, except to act like a man and impose his reason and his will on your incredible folly. For anything except to put an end, as any man worthy of the name would have put it, to your systematic, to your idiotic perversity. What are you, after all, my dear, I should like to know, that a gentleman who offers you what Owen offers should have to meet such wonderful exactions, to take such extraordinary precautions about your sweet little scruples?" Her resentment rose to a strange insolence which Fleda took full in the face and which, for the moment at least, had the horrible force to present to her vengefully a showy side of the truth. It gave her a blinding glimpse of lost alternatives. "I don't know what to think of him," Mrs. Gereth went on; "I don't know what to call him: I'm so ashamed of him that I can scarcely speak of him even to you. But indeed I'm so ashamed of you both together that I scarcely know in common decency where to look." She paused to give Fleda the full benefit of this remarkable statement; then she exclaimed: "Any one but a jackass would have tucked you under his arm and marched you off to the Registrar!"!

Fleda had fully recognized, the first days, that, quite apart from any question of letting Owen know where she was, it would be a charity to give him some sign: it would be weak, it would be ugly, to be diverted from that kindness by the fact that Mrs. Gereth had attached a tinkling bell to it. A frank relation with him was only superficially discredited: she ought for his own sake to send him a word of cheer. So she repeatedly reasoned, but she as repeatedly delayed performance: if her general plan had been to be as still as a mouse, an interview like the interview at Ricks would be an odd contribution to that ideal. Therefore with a confused preference of practice to theory she let the days go by; she felt that nothing was so imperative as the gain of precious time. She shouldn't be able to stay with her father forever, but she might now reap the benefit of having married her sister. Maggie's union had been built up round a small spare room. Concealed in this apartment she might try to paint again, and abetted by the grateful Maggie—for Maggie at least was grateful—she might try to dispose of her work. She had not indeed struggled with a brush since her visit to Waterbath, where the sight of the family splotches had put her immensely on her guard. Poynton moreover had been an impossible place for producing; no active art could flourish there but a Buddhistic contemplation. It had stripped its mistress clean of all feeble accomplishments; her hands were imbrued neither with ink nor with water-color. Close to Fleda's present abode was the little shop of a man who mounted and framed pictures and desolately dealt in artists' materials. She sometimes paused before it to look at a couple of shy experiments for which its dull window constituted publicity, small studies placed there for sale and full of warning to a young lady without fortune and without talent. Some such young lady had brought them forth in sorrow; some such young lady, to see if they had been snapped up, had passed and repassed as helplessly as she herself was doing. They never had been, they never would be, snapped up; yet they were quite above the actual attainment of some other young ladies. It was a matter of discipline with Fleda to take an occasional lesson from them; besides which, when she now quitted the house, she had to look for reasons after she was out. The only place to find them was in the shop-windows. They made her feel like a servant-girl taking her "afternoon," but that didn't signify: perhaps some day she would resemble such a person still more closely. This continued a fortnight, at the end of which the feeling was suddenly dissipated. She had stopped as usual in the presence of the little pictures; then, as she turned away, she had found herself face to face with Owen Gereth. He paused so long for a reply that Fleda said: "I don't think I know what you mean by a set-to."

They still stood where they had met. Fleda's instinct was to keep him there; the more so that she could already see him take for granted that they would immediately proceed together to her door. He rose before her with a different air: he looked less ruffled and bruised than he had done at Ricks, he showed a recovered freshness. Perhaps, however, this was only because she had scarcely seen him at all as yet in London form, as he would have called it—"turned out" as he was turned out in town. In the country, heated with the chase and splashed with the mire, he had always rather reminded her of a picturesque peasant in national costume. This costume, as Owen wore it, varied from day to day; it was as copious as the wardrobe of an actor; but it never failed of suggestions of the earth and the weather, the hedges and the ditches, the beasts and the birds. There had been days when it struck her as all nature in one pair of boots. It didn't make him now another person that he was delicately dressed, shining and splendid—that he had a higher hat and light gloves with black seams, and a spearlike umbrella; but it made him, she soon decided, really handsomer, and that in turn gave him—for she never could think of him, or indeed of some other things, without the aid of his vocabulary—a tremendous pull. Yes, this was for the moment, as he looked at her, the great fact of their situation—his pull was tremendous. She tried to keep the acknowledgement of it from trembling in her voice as she said to him with more surprise than she really felt: "You've then reopened relations with her?" "Oh yes, I told her exactly, and that you had been most awfully kind, and that I had placed the whole thing in your hands." "Oh yes, she will have written bang off!" Owen cheerfully conceded.